Cambodian Culture & People

Culture of Cambodia

The Culture of Cambodia has had a rich and varied history dating back many centuries.

The majority of Cambodians (nearly 90%) are of Khmer heritage, and an even greater proportion speak the Khmer language, the official language of Cambodia. Other languages spoken include French, Chinese and Vietnamese, with English becoming increasingly important.

Cambodia is predominantly Buddhist; 95% of the population is Theravada Buddhist, and the majority of the remaining population follows Islam, atheism, or animism.


The lines of culture distinguishing one country from another are blurring. The globalization of technology, information and finance has allowed wealthy countries to export not only their political and economic ideologies to developing countries but their traditions and values as well.

The Cambodian government has made aggressive rhetorical efforts to preserve the integrity of traditional Khmer culture, but younger generations are hungry for a change. In a seemingly uphill battle to maintain cultural identity in an increasingly homogeneous global community, one man has made it his mission to preserve the past for future generations.

From household items and clothes to jewelry and sculpture, Liv Saa Em's private collection is one of the largest in Cambodia.

"It is my favorite thing to do since I was young. I like to keep antiques in my house because my parents bought a lot of antiques from villagers to keep at their house.

Upon first glance, Liv Saa Em could be mistaken for an ancient Khmer man in his traditional dress. Ancient relics adorn his house as well, stretching from the front door into the darkest corners. The building is his sanctuary; a place Liv Saa Em says keeps him smiling. Visitors to the house, which doubles as a museum, often have offered the collector money for his goods. But Liv Saa Em's mission is to maintain Khmer culture for Cambodia. His message: History is not for sale.

The robbery of Khmer artifacts, for sale to foreign countries, is a rising concern. In efforts
to preserve the integrity of Cambodia's tangible history, the Ministry of Culture and Fine Arts recently prohibited the exportation of artifacts from Cambodia to Vietnam and Thailand. Liv Saa Em agrees with the act's passage, as he too works to preserve artifacts so that all of Cambodia may enjoy them in years to come.

Since the tender age of 13, Liv Saa Em has taken the cue of his parents, who were avid collectors. Now preserving artifacts is not only a hobby--it's a mission. "I'm very upset when I see our artifacts exported to neighboring countries," he said. "We know that they are really Khmer artifacts, but I have no ability to take them back to the country." Even when it is not in transit, safeguarding art is not always easy. Liv Saa Em said artifacts kept in the National Museum cannot be promised security, and his house in Tang Yab, Prey Kabas district of Takeo province is no better. Pieces of history were shattered in 1976 when young Khmer Rouge soldiers destroyed his parents' house and the artifacts in it.

Unable to forget the loss, Liv Saa Em has made a conscious effort to buy pieces for his private collection at home. Trading medicine or rice for art, the collector has purchased relics from Takeo, Kampong Speu and Phnom Penh. Now Liv Saa Em's reputation for collecting precedes him, and tourists that visit his home hoping to make a purchase are always denied.

"I love Khmer artifacts and I love to keep them forever," Liv Saa Em said.
 

Liv Saa Em's love affair with the past started when he was just a boy. "I wore simple cloth like other people when I was young," he said. But after completing his studies, Liv Saa Em developed a style of his own. Entering adulthood, he wore the ancient Khmer cloth donned by people of the Funan period and shaved his head so that only a tuft of hair sat atop the middle of his crown.

Businessmen raised Liv Saa Em, the youngest son of a nine-member family that often dressed in traditional Khmer clothing. He was the most beloved of the lot then. Today he is alone. Liv Saa Em's brothers, sisters and parents perished during the war.

Struggling to overcome the loss of his family, Liv Saa Em filled his time honing his skills as a silk maker. He mixes together a rainbow of colors to produce the vibrant fabric that is exported to Japan today and earned him the Ministry of Culture and Fine Arts' Award for Best Quality Producing in 1993. His Excellency Nut Narang, the former Minister of Culture and Fine Arts, personally recognized Liv Saa Em as the first successful producer of best quality silk following Pol Pot's regime. His creativity is unceasing. Liv Saa Em rearranges the relics in his house to assume a new look every week. In the afternoon visitors can find the collector sitting amidst his artifacts, which he says are a comfort to him. The house, an increasingly popular tourist destination, has drawn curious visitors from around the country and the world. Movie production companies have made the trip as well, using his traditional house for the backdrop to particular scenes.

Liv Saa Em preserves the past to protect the future. Concerned that irresponsible development could damage ancient artifacts, the collector suggested that Cambodia develop a tourism industry based on the riches of Khmer artifacts and temples.


Customs

Customary Cambodian teachings include: that if a person does not wake up before sunrise he is lazy; you have to tell your parents or elders where you are going and what time you are coming back home; close doors gently, otherwise you have a bad temper; sit with your legs straight down and not crossed (crossing your legs shows that you are an impolite person); and always let other people talk more than you.

Khmer culture is very hierarchical. The greater a person's age, the greater the level of respect that must be granted to them. Everyone in Khmer culture is given a hierarchical title before the name - in some cases names are shortened with the title added before the name is given - which varies in relation to the person. In some cases elders are referred to by a family title even though there is no relation, out of respect to their seniority in life. Referring to someone by the improper title is a sign of disrespect and would be assumed as improper parenting or a lack of respect for elders.

Cambodians traditionally wear a checkered scarf called a "Krama". The "kroma" is what distinctly separates the Khmer (Cambodians) from their neighbors the Thai, the Vietnamese, and the Laotians. The scarf is used for many purposes including for style, protection from the sun, as an aid (for your feet) when climbing trees, as a hammock for infants, as a towel, or as as a "sarong". A "krama" can also be easily shaped into a small child's doll for play. Under the Khmer Rouge, all Khmer were forced to wear a red checkered "krama".

In Khmer culture, it is taboo to touch, or point your feet at, a person's head, because the head is believed to contain the person's soul. It is considered to be extremely disrespectful to point your feet at a person, or sleep with your feet pointing at a person, as the feet are the lowest part of the body and are considered to be impure.

One traditional Khmer belief taught by monks is that there are three types of delusions or addictions which will lead to the self destruction of a man; women, alcohol, and gambling ("srey, srai, la-baing").

Almost all Khmer men and women wear a Buddha pendant in a necklace fashion. There are different pendants for different uses; some are meant for protection from evil spirits, some are meant to bring good luck.

Khmer People

Khmer People. The stone inscriptions found in the Angkor's region are mostly concerned with the religious related topics and rarely speak anything about the ordinary life of the local Khmer people. Only the stone carvings on the relief of Angkor Thom do portray some glimpses of the daily life in those days, however, most of our knowledge about the life of the Khmer laymen interestingly come from the Chinese Chronicle written by Zhou Daguan who was a Chinese ambassador of Yuan Dynasty.  He visited the Angkor Empire in 1296 and traveled widely inside the kingdom for a year before his return. Residing with the local people in various circumstances, Zhou Daguan described quite an accurate picture about the life and activities of the laymen and enable us to  project our imagination.

Zhou Daguan wrote that both men and women are breast-naked and barefooted with a piece of cloth wrapping around their waists.  Ordinary females have no hair ornaments, but may wear golden rings on the fingers and bracelets on the arms.  Beautiful women are always sent into the court to serve the king or his royal family....All trades in Khmer are carried out by women. In the market place, there is no shop, and the female vendors sell their goods and products on the mats which are spread on the ground.  The space in the market is not free, and the rent must be paid to the officials....  the Khmer people do not have any table and chair in their house, and neither have the bowl nor the bucket.  They cook their food in the earthen pots which are used for boiling rice and for preparing soup. The ladle sticks are made up from the coconut shells and the soup is served in a tiny bowl made up from the woven leaves by which the soup does not leak from the bowl.

In addition to Zhou Daguan's description, the relief carvings of Bayon add further views to the lively scene of the market.  Many people walk to and fro; two bulls can be seen to pull an oxcart, some people carry their goods on the head, the dignitary on a palanquin carried by the servants, and some people ride on the horses. In the carving, well-dressed foreigners can be seen to walk among the local people.

As the palaces and the houses in the Angkor Empire were mainly made up on unendurable materials such as woods and thatched leaves, they left no traces to the present day, except the various Khmer temples which were built from bricks and stones. During those days, we can imagine the Angkor's capital such that the remarkable Khmer temples like Angkor Wat and Angkor Thom must be surrounded by the wooden houses, some with tiles on the roof while some only with thatch-leaves, and the people carried out their life in the market place.  However, all these scenes had long been faded away; only the temples and the memory remain.